Auction 88 Part 2 Judaica, Israeliana, Israeli Ceramic, Jewish and International Art, Asiatica, Jewelry and much more
By The Bidder
Jun 22, 2022
9 Leibowitsz street, Gedera, Israel

Gallery address: 9 Leibowitsz street, Gedera.


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Up to 2 kilo at a cost of 22 NIS

2-5 Kilo cost 27 NIS.

5-10 kilo cost 35 NIS

10-20 kilo cost 42 NIS

2. Courier delivery of the Israeli post in the cost of 60 NIS regardless of weight up to 20 kg (only in Israel)

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More details
The auction has ended

LOT 762:

Bernhard Reder. Survived in Holocaust. 6 Russian Avant-Garde Woodcuts Portfolio “Shabbat” 1/100, signed, Chernivtsi ...

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Sold for: $300
Start price:
$ 300
Estimated price :
$400 - $600
Buyer's Premium: 20% More details
VAT: 17% On commission only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations
Auction took place on Jun 22, 2022 at The Bidder
tags:

Bernhard Reder. Survived in Holocaust. 6 Russian Avant-Garde Woodcuts Portfolio “Shabbat” 1/100, signed, Chernivtsi, 1920’s Rare!
Bernhard Reder, Survived in Holocaust Jewish Artist. 6 Woodcuts Portfolio “Shabbat” 1/100, signed, Chernivtsi, 1930’s Rare!
His pre – WWII works are very rare, they were destroyed by Nazi.
6 Woodcuts Portfolio “Shabbat” in hard cover folder, printed in “Druckerei Hornik – Birnbaum, Cernăuți (Chernivtsi)
Limited edition of 100 copies, this is number 1, signed and numbered by the artist
6 woodcuts and 4 plates. in Hebrew and German
Size: 50 x 32.5 cm. (19.6 x 12.8 inches)
Size of images: 30 x 24 cm. (11.8 x 9.4 inches)
Condition: wear, stains and rubbing to cover, spine with tears; some small damages to plates – light cracks, couple of stains; woodcuts in good condition
762. Bernhard Reder. Survived in Holocaust Jewish Artist. 6 Russian Avant-Garde Woodcuts Portfolio “Shabbat” 1/100, signed, Chernivtsi, 1920’s Rare!
His pre – WWII works are very rare, they were destroyed by Nazi. In 1930 B. Reder moved to Prague, so it’s his early work in Chernivtsi.
6 Woodcuts Portfolio “Shabbat” in hard cover folder, printed in “Druckerei Hornik – Birnbaum, Cernăuți (Chernivtsi)
Limited edition of 100 copies, this is number 1, signed and numbered by the artist
6 woodcuts and 4 plates. in Hebrew and German
Size: 50 x 32.5 cm. (19.6 x 12.8 inches)
Size of images: 30 x 24 cm. (11.8 x 9.4 inches)
Condition: wear, stains and rubbing to cover, spine with tears; some small damages to plates – light cracks, couple of stains; woodcuts in good condition
Chernivtsi (Ukrainian: Чернівці́; Romanian: Cernăuți; see also other names) is a city in Southwestern Ukraine. It is situated on the upper course of the Prut River, and is the administrative center of Chernivtsi Oblast (province), which includes the Ukrainian part of Bukovina. Chernivtsi is also the administrative center of Chernivtsi Raion and hosts the administration of the Chernivtsi urban hromada, one of the hromadas of Ukraine.[5] At the time of the 2001 Ukrainian Census, the population of the city was 240,600.[6] The current population is 265,471
Bernard Reder (29 June 1897 – 7 September 1963) was an artist, sculptor, etcher, engraver and architect, born in Czernowitz, Bukovina, (Chernivtsi, Bokovina) part of Austria before World War II and a centre of Jewish and Hasidic culture. His subjects were drawn from Jewish folklore, from Greek mythology, the Bible, and also from François Rabelais.
Reder is quoted as having said, "We were born already drunk with fantasy", referring to his early life in Bukovina. The son of a Jewish innkeeper, at 17 he was conscripted into the Austrian army and spent World War I in the trenches.[3] He went on to study at the Academy of Fine Arts in Prague. While working on his sculptures in his spare time, he supported himself by carving cemetery monuments.[4] He moved to Prague in 1930 because of anti-Semitic demonstrations. In 1935 Reder had his first solo exhibition at the gallery of Manes, an association of artists in Prague. This exhibition created a sensation and was widely published by newspapers in Prague, Paris, Wienna and Basel. Most sculptures were sold.[5]
Two years later, in 1937, he moved to Paris and became a good friend of the sculptor and painter Aristide Maillol. In 1940 he exhibited at the Wildenstein Gallery in Paris. Later that year, Reder was forced to flee Paris to escape from the Nazis, and Maillol secured a passage for him and his wife to travel to Spain, where he was imprisoned for illegal entry.[3] On his release, they travelled to Havana, Cuba, where Reder influenced many artists.
All the works in his Paris studio were later destroyed by the Germans. Reder arrived in New York City in 1943, but in 1945 he became partially paralysed by a serious illness, and concentrated more on woodcuts and drawings.[4] He became an American citizen in 1948.
Rader exhibited at the 3rd Sculpture International held in Philadelphia in 1949 and is one of the sculptors in the 70 Sculptors photograph taken there.
He was shown regularly at the Whitney Museum and was shown at the Philadelphia Museum of Art in 1949. In 1954, Reder went to Italy to sculpt in Rome and Florence. In 1956, he was given a one-man exhibition at The Galleria d'Arte Moderno L'Indiano, Florence, which received much attention and acclaim from art historian John Rewald. In 1961 he was given a solo one-man retrospective exhibition show at the Whitney Museum and for the first time in its history the museum devoted three of its floors to a single artist.[6]
Bernard Reder died in 1963 in New York.[7] His last four years were very productive, producing over thirty-five bronze sculptures. He created many of these directly in wax using a lost-wax casting technique he had learned in Italy

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