Auction 88 Part 2 Judaica, Israeliana, Israeli Ceramic, Jewish and International Art, Asiatica, Jewelry and much more
By The Bidder
Jun 22, 2022
9 Leibowitsz street, Gedera, Israel

Gallery address: 9 Leibowitsz street, Gedera.


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Up to 2 kilo at a cost of 22 NIS

2-5 Kilo cost 27 NIS.

5-10 kilo cost 35 NIS

10-20 kilo cost 42 NIS

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More details
The auction has ended

LOT 759:

Die Bibel. Bruno Goldschmitt, German expressionist painter, 5 Nude Woodcuts (from 21), III ed., 39/300, signed, ca. ...

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Start price:
$ 200
Estimated price :
$400 - $600
Buyer's Premium: 20% More details
VAT: 17% On commission only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations
Auction took place on Jun 22, 2022 at The Bidder
tags:

Die Bibel. Bruno Goldschmitt, German expressionist painter, 5 Nude Woodcuts (from 21), III ed., 39/300, signed, ca. 1925
Die Bibel. Old Testament. 21 (here 5) Holzschnitte von Bruno Goldschmitt. III Ausgabe, 39/300, signed in pencil, ca. 1925
München: Verlag von F. Bruckmann ca. 1925. Limited edition. Text in German,
Unpaginated. 5 loose plates as issued, 2 woodcuts from 2nd edition and 3 woodcuts from 3rd edition, and 2 plates – title page and list of illustration. woodcuts by Bruno Goldschmitt, depicting scenes from the Tanahk /Old Testament.
With tissue-guards in passe partout. Signed by the artist in pencil. One of 300 copies of the III Ausgabe, of which this is No. 39.
Size of portfolio: 63.5 x 49.5 cm. (25 x 19.4 inches)
Size of woodcuts: 32 x 43 cm. (12.6 x 17 inches)
Condition: some stains, creasing and tears to edges to 2 leaves with text.
Some wear, tears and stains to folders / passe partout; light stains to fields of woodcuts from 2nd edition
Bruno Goldschmitt (22. Maerz 1881 in Nuernberg; † 4. April 1964 in Muenchen) war ein deutscher Maler, Freskomaler, Graphiker, Holzschneider und Lithograph
Bruno Goldschmitt erhielt seine kuenstlerische Ausbildung an der Kunstgewerbeschule Nürnberg und an der Akademie der Bildenden Kuenste Muenchen. 1900 gruendete er mit Hermann Hesse, Ludwig Finckh, Robert Weise und anderen eine Kuenstlerkolonie am Bodensee. Mit dem befreundeten Basler Architekten Hans Hindermann kam Goldschmitt im Jahr 1905 nach Berlingen.
Er malte den Freskenzyklus „Koenig Laurin“ im Parkhotel Laurin in Bozen und Fresken im Polizeipraesidium Muenchen. Im Pasinger Rathaus haengt ein Wandteppich von Bruno Goldschmitt.
1932 wurde er Mitglied der NSDAP. Goldschmitt fuehrte die Ausschmueckung des Muenchner Kuenstlerhauses fuer den besonders festlich begangenen „Olympia-Fasching“ 1936 aus.
In der Studie Die Tapisserie im Nationalsozialismus von Anja Proelß-Kammerer aus dem Jahr 2000 wird Goldschmitt als eifriger Parteigenosse beschrieben. In einem Brief aus dem Jahr 1935 an den Vorstand der „Deutschen Kunstgesellschaft“ schrieb er über Juden und Kommunisten, sie seien ein „eingeschleppter Faeulnisschwamm“, der aus der Kunst des „erwachten Deutschlands“ entfernt werden muesse.
Bruno Goldschmitt (born March 22, 1881 in Nuremberg, † April 4, 1964 in Munich) was a German painter, frescomal, graphic artist, wood cutter and lithograph
Bruno Goldschmitt received his artistic training at the Nuremberg School of Art and at the Academy of Fine Arts in Munich. In 1900 he founded Hermann Hesse, Ludwig Finckh, Robert Weise and others an artist colony on Lake Constance. Goldschmitt came to Berlingen in 1905 with the friend of Basel, Hans Hans Hans Hanshitt.
He painted the fresco cycle “King Laurin
“In the Parkhotel Laurin in Bolzano and Frescoes in the Munich Police Headquarters. In the Pasinger town hall there is a wall carpet by Bruno Goldschmitt.
In 1932 he became a member of the NSDAP. Goldschmitt performed the mosquito of the Munich artist house for the particularly festively celebrated "Olympic Fasching" in 1936
In the study, the tapestry in National Socialism by Anja Prölß-Kammerer from 2000 is Goldschmitt described as a eager party. In a letter from 1935 to the board of the "German Art Society", he wrote about Jews and Communists that they were a "dragged sponge" that had to be removed from the art of "awakening Germany".

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