GARDNER - RUSSIAN IMPERIAL PORCELAIN FIGURINE, 19th C.

GARDNER - RUSSIAN IMPERIAL PORCELAIN FIGURINE, 19th C.
GARDNER - RUSSIAN IMPERIAL PORCELAIN FIGURINE, 19th C.
An antique porcelain figurine of the Gardner factory "A man with a hunk of bread" from the famous series "Pictures of People's Life".
Depicts a man in a coat, who sits on a wooden block, taking off his shoes and a hat, and sprinkles salt on a hunk of black bread.
The figurine is executed at a high level, neatly painted, without chips or cracks.
Marked on the base with a red overglaze stamp of the Gardner Factory in Moscow under a double-headed eagle; a pressed into the mass "Gardner" stamp under the coat of arms of Moscow, a number "5" and a handwritten brown number "122".
You can see a similar figurine in the National Museum of Fine Arts.
Beautiful late 19th Century Gardner porcelain figurine from the People's of Russia series in excellent condition with the red Gardner mark to the base.
We have included a biography of Gardner below.
CONDITION: Excellent. The item is described to the best of our knowledge. Please refer to pictures and email with any questions.
SIZE: H. 5 1/4 inches (13.3 cm).
REFERENCE: For an identical figure see, Porcelain in Russian 18th-19th centuries, The Gardner Factory, State Russian Museum, St. Petersburg, 2003.
ESTIMATE PRICE: $3,000 - $4,000.
You have a GREAT CHANCE to purchase a unique item for your collection - over the years it will only INCREASE in price.
HISTORY of SALES: A few years ago Gardner's Porcelain Figures were sold on Live Aictioneer for $9,000, $10,000, $12,000 and $14,000 - please see the screenshots.
PAY in PARTS: You can pay for any item during 2-3 months. Just make a deposit 10% and the item will wait for you.
SHIPPING: Combined shipping is available.
PLEASE NOTE: If you want to buy this item, please make a bid now. Any offer is welcome. Some lots, that do Not Have any Bids on them, WILL be CLOSED before the auction is started and will not be included in it. Now, there are 1000+ items for preview, but there will be only 400 items in the Live Auction.
NEW: Returning customers will have 50% DISCOUNT on shipping.

HISTORY: Gardner Factory Russian Porcelain founded at Verbilki, near Moscow, by the Englishman Francis Gardner in 1766, and known for its hard paste porcelains, the Gardner factory served as important competition for the Imperial Porcelain Factory, spurring artists at both institutions to produce more complicated wares in terms of both form and decoration. One of two porcelain works in Russia during the 18th century, The factory was situated in the Gjelsk region where local clay, which proved suitable for porcelain, could be used. Gardner started with a German manager called Gattenberg, who later joined the Imperial Factory, and he employed a well-known German painter, Kestner. But these and other foreigners taught many Russian craftsmen, principally serfs, who gradually replaced them, as soon as they had mastered the various techniques; so that the number of foreigners employed in key positions steadily diminished in course of time. The factory was operated by the family for three generations until 1891, when it was taken over by Kusnetzoff. The Gardner Factory made lesser quality wares for export and higher quality pieces for the capital trade. In 1777 the Empress Catherine teh Great commissioned the Gardner Factory to produce four dessert services for the receptions held in the Winter Palace. Each service included plates, round and long leaf-shaped dishes, baskets of various sizes for fruit, and a variety of ice cups. Among its other notable works were colored figurines of Russian subjects in unglazed biscuit porcelain.
Gardner porcelain had a wide variety of marks in the 140 years of its existence. Different shapes of the Latin letter G, painted underglaze in blue or black, were most frequent in the late eighteenth and early nineteenth centuries. Occasionally the mark is similar to the Meissen crossed swords with a star. In the first quarter of the nineteenth century the full name of the factory, impressed either in Cyrillic or Latin characters, becomes more frequent. In the second half of the nineteenth century the mark is usually the Moscow St George and Dragon crest, surrounded by a circle, bearing the full name of the factory, at first impressed, and later painted in green or red. In the last decades of the factory's existence the double-headed eagle was added to the design, and this elaborate mark continued after the Gardner firm had been absorbed by Kuznetsov.