Аукцион 124 Часть 2 Clearance Sale Part 2
от Winner'S
23.9.20
3 Shatner Center 1st Floor Givat Shaul Jerusalem, Израиль

We are pleased to present to you for the first time, Winner's Annual Clearance Sale.

We have assembled approximately 700 interesting, rare and diverse items across various areas of interest whose common denominator is their low opening price, much lower than their real value.

Almost all start at $10

Auction is time based automatically with no Auctioneer.


No Reserved price !!!


Commission will be 25% + VAT on the commission


Each item will carry an added handling charge of $5

Далее
Аукцион закончен

ЛОТ 488:

Miniature Tehillim with Olive Wood Binding Product of the "Ben Uri" Workshop, 1929

Продан за: $20 (₪69)
₪69
Стартовая цена:
$ 10
Эстимейт :
$80 - $120
Комиссия аукционного дома: 25% Далее
НДС: 18% Только на комиссию
Пользователи из других стран могут быть освобождены от налоговых платежей согласно соответствующим налоговым нормам.
Аукцион проходил 23.9.20 в Winner'S

Miniature Tehillim with Olive Wood Binding Product of the "Ben Uri" Workshop, 1929


Tehillim with olive wood binding in the Bezalel style. Stamped "Ben Uri Jerusalem."

Apparently this item was produced at the Ben Uri  workshop established by a forgotten 'Bezalel' artist named Yosef Teper.


Yosef Teper was born in 1886 in Mezeritch, Russia. He specialized in the study of art in Paris before WWI, while living in a "catacomb" - the same studio construct in Montparnasse used by famous artists.

He was invited by Boris Schatz in 1910 to serve as a teacher at Bezalel, but never ended up serving as a teacher there. He ascended to the Land of Israel in 1922, and opened a workshop named "Ben Uri" named for Betzalel ben Uri. In 1929 Teper moved the the United States, and he passed away in Missouri in 1977.

This siddur was printed in 1929 - the year he left the Land, such that it could be that this is one of the final items produced at the forgotten workshop.


8.5x6 cm.

Fine-very fine condition. Minimally dismantled binding. Adhesions. Minimal aging stains. Blemishes and scratches in the wooden binding.