Avant-garde magazine. Transition, #19-20, 1930, Litho cover by Eli Lotar, illustr. by Picasso, Joan Miro, Paul Klee ...

Avant-garde magazine. Transition, #19-20, 1930, Litho cover by Eli Lotar, illustr. by Picasso, Joan Miro, Paul Klee, Leger and others.
Transition, An international quarterly for creative experiment. #19-20, 1930, edited by John George Eugene Jolas
Paris, 1930 398 pp. 3pp., Lithographed cover by Eli Lotar, signed in the plate. Richly illustrated by avant-garde artists and photographers: Picasso, Joan Miro, Paul Klee, Fernand Leger, Andre-Aime-René Masson, Edward Henry Weston, Jose Victoriano González-Perez, Josef Sima.
Soft cover, 22 x 16 cm.
Condition: Binding started getting loose, covers almost detached; spine damaged – missing to half; yellow / light brown paper
Eli Lotar (born Eliazar Lotar Teodorescu; January 30, 1905 – May 10, 1969) was a French photographer and cinematographer.[1]
Lotar was born in Paris, the son of Tudor Arghezi, a Romanian poet, [2] and Constanța Zissu, a teacher.[3] He became a French citizen in 1926 and met the German photographer Germaine Krull. He took part in many exhibitions with Krull and photographer André Kertész.
Lotar published his photographs in reviews such as Jazz, Variétés, Bifur, and Documents. His reportage on the Parisian La Villette's slaughterhouses (1929, issue 6) was a theme very much in line with Georges Bataille's interests in sacrificial rituals and became one of his best-known works.
Lotar also frequented cinematic and theatrical circles, through which he met filmmakers René Clair and Luis Buñuel, theater director Antonin Artaud and playwright Roger Vitrac. Lotar was the cinematographer on Buñuel's Las Hurdes: Tierra Sin Pan. A member of the Groupe Octobre, Lotar worked with filmmakers such as Jacques Brunius, Joris Ivens, Jean Painlevé, and Jean Renoir, as a set photographer or as a cameraman. He assisted Marc Allégret and directed three films, one of which, Aubervilliers (1946), was selected for the Cannes Film Festival in 1946.
During his last years, which were particularly somber, he became close friends with Alberto Giacometti and posed for several of his sculptures.
John George Eugene Jolas (October 26, 1894 – May 26, 1952) was a writer, translator and literary critic.
Pablo Ruiz Picasso[a][b] (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, [8][9] the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.
Joan Miró i Ferrà (/mɪˈroʊ/ mi-ROH, [1] US also /miːˈroʊ/ mee-ROH, [2][3] Catalan: [ʒuˈam miˈɾo j fəˈra]; 20 April 1893 – 25 December 1983) was a Catalan painter, sculptor and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981.
Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism.[4] He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting.
Paul Klee (German: [paʊ̯l ˈkleː]; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance.[1][2][3] He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.
André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist. Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels.[1] He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured
Edward Henry Weston (March 24, 1886 – January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..."[1] and "one of the masters of 20th century photography."[2] Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still-lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and especially Californian, approach to modern photography"[3] because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.
Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.
In 1947 he was diagnosed with Parkinson's disease and he soon stopped photographing. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images.
José Victoriano González-Pérez (23 March 1887 – 11 May 1927), [1] better known as Juan Gris (Spanish: [ˈxwan ˈɡɾis]; French: [gʀi]), was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.
Joseph Fernand Henri Léger (French: [leʒe]; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.
Josef Šíma (18 March 1891 – 24 July 1971) was a Czech modernist painter.
After graduating from Academy of Arts in Prague where he was the student of Jan Preisler he was involved in the Devětsil movement and in Umělecká beseda in Prague before travelling to Paris in 1921. He took French citizenship in 1926. He was artistic director for the journal Le Grand Jeu in 1929 and friend of French poets René Daumal, Roger Gilbert-Lecomte and Roger Vailland.