Bidspirit auction | Striped Skunk

Striped Skunk - This original graphite on paper piece by artist Gary R. Lucy is titled ”Striped Skunk”. Measuring 12.5” x 9.5”, this piece is in good condition and signed by the artist in the lower left corner. Growing up in the Missouri boot heel, Lucy never envisioned a life in art. Starting college at Southeast Missouri State University in 1967, Lucy’s goal was to get his CPA with a degree in marketing and advertising. A career in business seemed a logical and sensible choice. However, Lucy’s career path changed direction after an invitation to take a drawing class with a friend. “It’s kind of interesting how one little event can change your life, †Lucy said. Though he took the drawing class as a means to give his mind a break—a grown up kind of recess, Lucy discovered a love and aptitude for the work, and he began researching a change in major. In the end, Lucy decided that teaching art would be the best for him, allowing him to pursue his interests and still pay his bills. “The artists that came before me were starving —exhibiting outlandish behavior such as cutting off ears. I’m not into that, †Lucy said. After graduation, Lucy taught elementary art for one year in the Washington, Missouri School District, but the desire to earn a living as a full time artist pulled at him. During his senior year of college, as president of the art club, Lucy arranged for a club meeting at the home of a metal sculptor who had recently moved into the area. Passing through the artist’s carport on the way to his studio, Lucy noticed a Corvette sitting next to a pickup truck. During the course of the evening, Lucy had the opportunity to ask the artist, “Do you truly make your living as an artist, and do you make enough money to pay for that Corvette?†The artist’s answer was a simple yes. It was a moment of epiphany for Lucy. At that moment he knew if that artist could make a living solely off his art, he could too. After only one year of teaching, Lucy was ready to try his hand as a professional artist. One of the first questions Lucy had to ask himself as he started forth on his new venture was “How can I say what I want to say and still make a living doing it?†During his college years, Lucy was very concerned with the environment. He participated in the first Earth Day at college and did a few “radical†pieces depicting the destruction of nature. However, Lucy realized that such pieces were not likely to sell. So, he adjusted his focus. Instead of focusing on the damage being done to the environment, he turned to painting the beauty of nature before it is touched. “Art is a five syllable word—communication, †Lucy said. “I went from negative to positive.†motril Lucy immersed himself in the study of wildlife—feeding habits, mating habits, migration. He wanted every detail of his paintings as accurate as possible. In 1973, Lucy received his first taste of national exposure by winning second place in the Federal Duck Stamp Competition, and in 1977, he again received national exposure by placing third in the National Wild Turkey Federation stamp design competition. Only a few years later, in 1982, he placed first in the Missouri Duck Stamp Competition for his painting of Bufflehead Ducks. In 1977, Lucy was also commissioned to paint his first mural, mur“Missouri Wildlife, †for the West Plains Bank in West Plains, Missouri. Lucy enjoyed the work as it allowed him to focus on one piece and receive payment over a period of time. A second mural “Missouri Wildlife II†followed the first in 1979, this time for the Washington, Missouri library. motril In 1980 and ’85, Lucy painted the “Missouri Trilogy†and the “Songbirds of Missouri†for the cover of Southwestern Bell’s phonebooks. Between the two, his work appeared on 17 million phonebooks in the state of Missouri. Lucy’s original painting “Missouri Trilogyâ€was donated by Southwestern Bell to the State of Missouri and now hangs in the governor’s office in Jefferson City. The phnebook covers were something of a final chapter for Lucy’s years devoted to wildlife painting. The market for wildlife art was fading. “There are only so many ways you can paint a duck, †Lucy said. It was time for a new direction.mur With the help of a friend, who advised Lucy to work more with the human figure, and half a dozen books from the library, Lucy discovered new inspiration—the history of the river. At first, Lucy was unsure how his customers would respond, but the change to historic interpretation created broader horizons and his popularity increased. In 1991, Lucy’s work “Inland Waterways: The Way West†was exhibited at the old courthouse in downtown St. Louis with over 35,000 visitors and featured on PBS-Jim Lehrer News Hour. In 1998, Lucy received the honor of displaying his work at the State Historical Society of Missouri alongside famous Missouri artists George Caleb Bingham and Thomas Hart Benton.