After Mughal Empire
PERSIAN TAPESTRY FRAMED AKBAR

PERSIAN TAPESTRY FRAMED AKBAR

Large Persian gold framed Tapestry after Akbar C 1590 -95 Mughal Empire measures, 38in W x  50in H

This illustration to the Akbarnama, the history of the reign of the Mughal emperor Akbar, exemplifies Akbar's increasingly spiritual preoccupations from about 1570. His historian, Abu’l Fazl, frequently refers to the disparity between the apparent frivolity of events in the material world, and the metaphysical nature of the emperor’s reflections at the same time. On this occasion he writes of Akbar: ‘in appearance his mind was taken up with the pleasure of hunting; inwardly, there was in his heart the longing to know God’. Akbar had set out with a few servants to shoot wild asses, but became separated from them when he dismounted to follow his prey. He was soon overcome by thirst and weakness in the intense heat, and entered a trance-like condition. His extremely concerned servants eventually found him slumped against his gun, unable to speak. According to Abu’l Fazl, the emperor later felt he had been sent a divine message instructing him to take greater care of himself and to avoid such dangers because of his pre-eminent duty as the guardian of mankind. Akbar’s features have been painted by Keshav, one of a small number of artists accorded the privilege of doing portraits of the emperor and leading figures of the court, while the rest of the composition by an unknown designer has been painted by Mohesh.

The Akbarnama was commissioned by Akbar in 1589 as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu'l Fazl, between 1590 and 1596. It was illustrated simultaneously by artists from Akbar's ketabkhana, or "House of Books", where manuscripts were stored as well as created. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs Frances Clarke, the widow of Major-General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

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Condizioni:

Buone

The condition is good. However, a full condition report is available via email: philippe@longlake.art

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