Bidspirit auction | Louis Fortuney, 'Preparatifs de la

Louis Fortuney, 'Preparatifs de la Danseuse,' Signed 1921 Pastel Painting - Keywords: French Art, French Pastel, Préparatifs de la Danseuse, Dancer, Ballerina, Dressing Room, Backstage Scene, Female Figure, Belle Époque, Art Deco, Pastel Drawing, Works on Paper, Signed Artwork Summary: Louis Fortuney (French, 1875-1951), Préparatifs de la Danseuse (‘Preparations of the Dancer’), 1921, pastel on paper. Signed and dated 1921 lower left and bearing a dedication to Mr. Louis Tortel. Louis Fortuney was the pseudonym of Louis Ernest Fortuné Andrieux (1875-1951). Born in Toulouse, he studied at the École des Beaux-Arts in Toulouse before moving to Paris at approximately age twenty. Fortuney became particularly associated with pastel, producing colorful Parisian scenes, portraits and figural compositions. Measurement: Visible: 19 x 12 in. (48.3 x 30.5 cm.), Frame: 27 x 20 in. (68.6 x 50.8 cm.) approx Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale. All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use. Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.