Bidspirit auction | Mazeaud and Faverot Sevres Gilded
Mazeaud and Faverot Sevres Gilded Art Pottery Charger, 1930s - No Reserve - Keywords: art deco pottery, gilded charger, marbled glaze, decorative dish, cabinet plate, French ceramics, metallic oxide glaze Summary: French Art Pottery Plate by Jean Mazeaud and Jean Faverot, Sèvres Ateliers, Gilded Marbled Glaze, 1930s Jean Mazeaud trained as a modeler at the Manufacture Nationale de Sèvres before partnering with Jean Faverot to found Les Ateliers de Céramique de Sèvres, active from the 1930s into the early 1960s. The workshop was known for art pottery with marbled, crackle, and metallic-oxide glazes, often gilded, in the French Art Deco style This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE. Measurement: 1/2 x 9 1/2 in. (1.3 x 24.1 cm.) approx Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot's description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale. All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use. Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work's art-historical significance.